The Language of Gender and Class: Transformation in the Victorian NovelPsychology Press, 1996 - Всего страниц: 197 The Language of Gender and Class challenges widely-held assumptions about the study of the Victorian novel. Lucid, multilayered and cogently argued, this volume will provoke debate and encourage students and scholars to rethink their views on ninteenth-century literature. Examining six novels, Patricia Ingham demonstrates that none of the writers, male or female, easily accept stereotypes of gender and class. The classic figures of Angel and Whore are reassessed and modified. And the result, argues Ingham, is that the treatment of gender by the late nineteenth century is released from its task of containing neutralising class conflict. New accounts of feminity can begin to emerge. The novels which Ingham studies are: * Shirley by Charlotter Bronte * North and South by Elizabeth Gaskell * Felix Holt by George Eliot * Hard Times by Charles Dickens * The Unclassed by George Gissing * Jude the Obscure by Thomas Hardy |
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Содержание
THE REPRESENTATION OF SOCIETY IN THE EARLY NINETEENTH CENTURY | 1 |
THE INTERLOCKED CODING OF CLASS AND GENDER | 2 |
SHIRLEY | 3 |
NORTH AND SOUTH 5 HARD TIMES | 8 |
250 | 20 |
78 | 59 |
CHANGES IN THE REPRESENTATION OF CLASS IN THE SECOND HALF OF THE NINETEENTH CENTURY | 102 |
FELIX HOLT | 112 |
THE UNCLASSED | 139 |
JUDE THE OBSCURE | 143 |
Bibliography | 183 |
190 | |
Другие издания - Просмотреть все
The Language of Gender and Class: Transformation in the Victorian Novel Patricia Ingham Ограниченный просмотр - 1996 |
Language of Gender and Class: Transformation in the Victorian Novel Patricia Ingham Ограниченный просмотр - 2002 |
Language of Gender and Class: Transformation in the Victorian Novel Patricia Ingham Недоступно для просмотра - 2002 |
Часто встречающиеся слова и выражения
acceptance angel Arabella become Bounderby Brontë Caroline characteristics Charlotte Brontë Chartist claims class and gender Coketown contemporary conventional described dialect Dickens discourse discussed domestic dominant economic Eliot Esther factory fallen woman feelings Felix Holt female feminine fiction figure Frances Trollope Gaskell George Eliot Gissing Harthouse Helstone heroine Higgins human identity ideological individual industrial industrial novels Jane Eyre Jude Jude the Obscure Jude's kind labour language linguistic Louis Moore Louisa male Margaret Hale marriage marry Mary Barton masculine Maud metaphor middle middle-class mill moral mother narrative syntax narrator nature North and South novel novelistic offer passion paternalism paternalist perceived Pinney plot political economy prostitute question Radical recognised reference Reform relation representation represented residuum Review rewriting role sensation novel sense sexual Shirley significance society speak status struggle subversive Tess Thornton Transome trope Unclassed Victorian voice Waymark William Farren womanly women workers working-class