Melbourne Punch, Том 31857 |
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Стр. xii
... objects, everyday objects, art objects, architecture, and bodily objects. The final chapter goes further, opening up the volume and the subject more generally by using a particular object or class of objects to consider the “object ...
... objects, everyday objects, art objects, architecture, and bodily objects. The final chapter goes further, opening up the volume and the subject more generally by using a particular object or class of objects to consider the “object ...
Стр.
... object of a given altitude A B may be seen , and , confequently , we know what diftance we are off from an object of a given altitude , when we firft difcover the top thereof . See HORIZON . DISTANCES , in Geometry , are measured by the ...
... object of a given altitude A B may be seen , and , confequently , we know what diftance we are off from an object of a given altitude , when we firft difcover the top thereof . See HORIZON . DISTANCES , in Geometry , are measured by the ...
Стр. 16
... object " as that " something " which cannot fit neatly into a deter- mined category ( natural object , perturbed object , readymade , etc. ) , in other words as a collection of found , as opposed to manufactured , objects . It is as ...
... object " as that " something " which cannot fit neatly into a deter- mined category ( natural object , perturbed object , readymade , etc. ) , in other words as a collection of found , as opposed to manufactured , objects . It is as ...
Стр. 289
... Object . 2. The further the tube is from the object the truer and the sharper will be its shadow . Corollary : With a part at a distance from the recording surface , the distortion is mini- mized by increasing the tube object distance ...
... Object . 2. The further the tube is from the object the truer and the sharper will be its shadow . Corollary : With a part at a distance from the recording surface , the distortion is mini- mized by increasing the tube object distance ...
Стр. 16
... object were surrounded by too much space . A good general rule is to place the object so that the farther edge of the table or object on which it rests will appear to be less than halfway up the height of the object . The table - line ...
... object were surrounded by too much space . A good general rule is to place the object so that the farther edge of the table or object on which it rests will appear to be less than halfway up the height of the object . The table - line ...
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Стр. 40 - If I am right, Thy grace impart, Still in the right to stay ; If I am wrong, oh, teach my heart To find that better way.
Стр. 140 - I hate him for he is a Christian; But more for that in low simplicity He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Стр. 7 - Art thou afear'd To be the same in thine own act and valour, As thou art in desire ? Would'st thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem; Letting "I dare not" wait upon "I would," Like the poor cat i
Стр. 178 - Hey, diddle diddle, the cat and the fiddle, The cow jumped over the moon. The little dog laughed to see such sport, And the dish ran away with the spoon!
Стр. 40 - Pronouns must always agree with their antecedents, and the nouns for which they stand, in gender and number ; as, " This is the friend whom I love;" "That is the vice which I hate;" "The king and the queen had put on their robes ;" " The moon appears, and she shines, but the light is not her own.
Стр. 175 - He scapes the best, who, nature to repair, Draws physic from the fields in draughts of vital air. You hoard not health for your own private use, But on the public spend the rich produce. When, often urged, unwilling to be great, Your country calls you from your loved retreat...
Стр. 195 - With every meteor of caprice must play. And chase the new-blown bubbles of the day. Ah ! let not censure term our fate our choice, The stage but echoes back the public voice ; The drama's laws, the drama's patrons give, For we that live to please, must please to live. Then prompt no more the follies you decry...
Стр. 185 - Three poets in three distant ages born, Greece, Italy, and England did adorn; The first in loftiness of thought surpassed, The next in majesty; in both the last. The force of Nature could no further go, To make a third she joined the former two.
Стр. 56 - Dreadful, as hermits' dreams in haunted shades, Or bright, as visions of expiring maids. Now glaring fiends, and snakes on rolling spires, Pale spectres, gaping tombs, and purple fires : Now lakes of liquid gold, Elysian scenes, And crystal domes, and angels in machines.
Стр. 40 - Teach me to feel another's woe, To hide the fault I see: That mercy I to others show, That mercy show to me.