Let the Crazy Child Write!: Finding Your Creative Writing VoiceTwelve lively, in-depth chapters reveal how following our untrained impulses — our creative unconscious or "Crazy Child" — gives an authentic grasp on writing stories, poems, plays, and essays. Let the Crazy Child Write! introduces exercises that explicitly tap this knowledge and also presents guidelines on how to give, and receive, constructive feedback. This is the first how-to-write text to give full credit to the creative unconscious since Becoming a Writer, the 1934 classic by Dorothea Brande. Matson goes further by developing writing techniques step by step: Image Detail, Slow Motion, Hook, Persona Writing, Point of View, Dialogue, Plot, Narrative Presence, Good Clichés, Character, Surrealism, and Resolution. |
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Стр. xiv
It knows what it's like to live in my neighborhood, in this culture, in this time, and in my body. My Crazy Child is the real me — or at least an essential, energetic part of me. The Crazy Child coils tension into a story, ...
It knows what it's like to live in my neighborhood, in this culture, in this time, and in my body. My Crazy Child is the real me — or at least an essential, energetic part of me. The Crazy Child coils tension into a story, ...
Стр. 10
The audience gets to see, live on stage, what Cohen presents to our imagination. I am using the same words she uses, changing them to present tense. A second important place for image detail is in the speeches.
The audience gets to see, live on stage, what Cohen presents to our imagination. I am using the same words she uses, changing them to present tense. A second important place for image detail is in the speeches.
Стр. 23
Coarse fish live in murky waters, are mostly tiny and make awful eating. Game fishermen, who catch salmon and trout, think of them as vermin. Some think the same of coarse fishermen. Until about ten years ago, British upper-class ...
Coarse fish live in murky waters, are mostly tiny and make awful eating. Game fishermen, who catch salmon and trout, think of them as vermin. Some think the same of coarse fishermen. Until about ten years ago, British upper-class ...
Стр. 33
Slow Motion in Plays In a play, a character portrays the action live on stage. The playwright does not have to rely on words on paper and the reader's imagination. The actor can relay an event to the audience using slow motion ...
Slow Motion in Plays In a play, a character portrays the action live on stage. The playwright does not have to rely on words on paper and the reader's imagination. The actor can relay an event to the audience using slow motion ...
Стр. 50
We have looked at a number of hooks using oddities and dissonance. Can there be a joyous hook? Read the beginning of “The Passionate Shepherd to His Love” by Christopher Marlowe: Come live with me and be my love, and we 50 LET THE CRAZY ...
We have looked at a number of hooks using oddities and dissonance. Can there be a joyous hook? Read the beginning of “The Passionate Shepherd to His Love” by Christopher Marlowe: Come live with me and be my love, and we 50 LET THE CRAZY ...
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Let the Crazy Child Write: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 1998 |
Let the Crazy Child Write!: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 2011 |
Часто встречающиеся слова и выражения
action attention becomes begin body chapter character character’s choose clichés comes Crazy Child Crazy Child Write create creative unconscious dark describe dialogue door dream Editor effective essay event example excitement exercise eyes face feel follow give goal hand happen hear hook idea image detail imagine important interesting issue keep Let the Crazy listen live look means mind move narrator nervous notice novel Perhaps person phrase pick piece play plot poem poet point of view powerful practice present reader remember Reprinted by permission resolution rewrite scene seems sense sentence simply slow motion someone speak speech step story suggestions surreal talking tell thing thought turn understand vivid voice woman workshop writing written