Let the Crazy Child Write!: Finding Your Creative Writing VoiceTwelve lively, in-depth chapters reveal how following our untrained impulses — our creative unconscious or "Crazy Child" — gives an authentic grasp on writing stories, poems, plays, and essays. Let the Crazy Child Write! introduces exercises that explicitly tap this knowledge and also presents guidelines on how to give, and receive, constructive feedback. This is the first how-to-write text to give full credit to the creative unconscious since Becoming a Writer, the 1934 classic by Dorothea Brande. Matson goes further by developing writing techniques step by step: Image Detail, Slow Motion, Hook, Persona Writing, Point of View, Dialogue, Plot, Narrative Presence, Good Clichés, Character, Surrealism, and Resolution. |
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Стр. 2
You might notice them instantly and choose them in a snap — because they rise unbidden from your unconscious. Or you might turn a scene over and over in your mind, getting to know it well, before you find the appropriate detail.
You might notice them instantly and choose them in a snap — because they rise unbidden from your unconscious. Or you might turn a scene over and over in your mind, getting to know it well, before you find the appropriate detail.
Стр. 3
We might notice images only a few times during the day or in the morning when we remember a striking scene from a dream. But our imagination is always busy. An old saw about a three-legged dog states, “You can't imagine a three-legged ...
We might notice images only a few times during the day or in the morning when we remember a striking scene from a dream. But our imagination is always busy. An old saw about a three-legged dog states, “You can't imagine a three-legged ...
Стр. 6
Notice how the phrase “extended her neck” gives a precise feeling about Rose and about her relationship to Sal. It's a small, odd, physical action, and others will follow: ...Sal sat up straight and confident as he poured milk 6 LET THE ...
Notice how the phrase “extended her neck” gives a precise feeling about Rose and about her relationship to Sal. It's a small, odd, physical action, and others will follow: ...Sal sat up straight and confident as he poured milk 6 LET THE ...
Стр. 9
She didn't have time, earlier, to notice her abrasions or her torn clothes. In the love poem on page 32, when Michael McClure writes “your backbone line,” I am drawn into the special state of mind which saw that detail.
She didn't have time, earlier, to notice her abrasions or her torn clothes. In the love poem on page 32, when Michael McClure writes “your backbone line,” I am drawn into the special state of mind which saw that detail.
Стр. 11
You have the potential to notice crucial image detail when the real world is involved. Once you start see- ing the details, there will be a profusion of them. It's up to you and your Crazy Child to pick ones that work for your purpose.
You have the potential to notice crucial image detail when the real world is involved. Once you start see- ing the details, there will be a profusion of them. It's up to you and your Crazy Child to pick ones that work for your purpose.
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Let the Crazy Child Write: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 1998 |
Let the Crazy Child Write!: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 2011 |
Часто встречающиеся слова и выражения
action attention becomes begin body chapter character character’s choose clichés comes Crazy Child Crazy Child Write create creative unconscious dark describe dialogue door dream Editor effective essay event example excitement exercise eyes face feel follow give goal hand happen hear hook idea image detail imagine important interesting issue keep Let the Crazy listen live look means mind move narrator nervous notice novel Perhaps person phrase pick piece play plot poem poet point of view powerful practice present reader remember Reprinted by permission resolution rewrite scene seems sense sentence simply slow motion someone speak speech step story suggestions surreal talking tell thing thought turn understand vivid voice woman workshop writing written