Let the Crazy Child Write!: Finding Your Creative Writing VoiceNew World Library, 8 февр. 2011 г. - Всего страниц: 288 Twelve lively, in-depth chapters reveal how following our untrained impulses — our creative unconscious or "Crazy Child" — gives an authentic grasp on writing stories, poems, plays, and essays. Let the Crazy Child Write! introduces exercises that explicitly tap this knowledge and also presents guidelines on how to give, and receive, constructive feedback. This is the first how-to-write text to give full credit to the creative unconscious since Becoming a Writer, the 1934 classic by Dorothea Brande. Matson goes further by developing writing techniques step by step: Image Detail, Slow Motion, Hook, Persona Writing, Point of View, Dialogue, Plot, Narrative Presence, Good Clichés, Character, Surrealism, and Resolution. |
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Стр. ix
... speaking , and we could also recog- nize whether it was being helpful or not helpful on the spot . Our excitement was visceral . The classroom transformed into a liv- ing laboratory , and I became custodian of its creative energy . I ...
... speaking , and we could also recog- nize whether it was being helpful or not helpful on the spot . Our excitement was visceral . The classroom transformed into a liv- ing laboratory , and I became custodian of its creative energy . I ...
Стр. x
... speak. Learning a technique at an urgent moment is inspiring, and teaching thus becomes a dance. I gained much over the years from attending workshops led by others, notably Josephine Miles, Robert Bly, and Thaisa Frank, and also from ...
... speak. Learning a technique at an urgent moment is inspiring, and teaching thus becomes a dance. I gained much over the years from attending workshops led by others, notably Josephine Miles, Robert Bly, and Thaisa Frank, and also from ...
Стр. 9
... speak . If Cohen's novel were a play , for instance , Sal could tear up that leaf on stage . The playwright could set it up quite simply : Sal : Rose , you're a beauty . I saw it right away . I've gotta gotta tell you that . [ Sal ...
... speak . If Cohen's novel were a play , for instance , Sal could tear up that leaf on stage . The playwright could set it up quite simply : Sal : Rose , you're a beauty . I saw it right away . I've gotta gotta tell you that . [ Sal ...
Стр. 17
... speak. Author listens and takes notes. 5. Workshop makes one or two rewrite suggestions, three at most. Author takes notes. 6. Author speaks. Workshop responds. The dynamic of the syngenetic workshop keeps everyone's attention on the ...
... speak. Author listens and takes notes. 5. Workshop makes one or two rewrite suggestions, three at most. Author takes notes. 6. Author speaks. Workshop responds. The dynamic of the syngenetic workshop keeps everyone's attention on the ...
Стр. 33
... speak . If the character is in the grip of that intense event , it would be natural to use slow motion techniques in the very first speech . Have the character break the event down into split seconds , and say them one at a time . This ...
... speak . If the character is in the grip of that intense event , it would be natural to use slow motion techniques in the very first speech . Have the character break the event down into split seconds , and say them one at a time . This ...
Другие издания - Просмотреть все
Let the Crazy Child Write: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 1998 |
Let the Crazy Child Write!: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 2011 |
Часто встречающиеся слова и выражения
action attention Barbara Kingsolver becomes begin body camera-on-the-shoulder chapter character's choose clichés Copyright Crazy Child Write creative unconscious dark door dream Editor and Writer ERICA JONG essay EUDORA WELTY event Excerpt excitement eyes feedback feel Georgia O'Keeffe give goal happen hear hook image detail imagine issue keep Let the Crazy let your Crazy listen look Marge Piercy Mary Oliver Michael McClure mind narrative presence narrator nervous system notice novel paragraph Perhaps person phrase pick piece play poem poet point of view powerful practice present remember Reprinted by permission resolution rewrite Robert Bly saber-toothed tiger Sam Shepard scene sense sentence slow motion writing someone speech story surreal syngenetic workshop T.S. Eliot talking tell Tennessee Williams thing third-person point thought three-legged dog undercurrent velociraptor vivid voice Weston WILLIAM DEMENT woman words