Let the Crazy Child Write!: Finding Your Creative Writing VoiceNew World Library, 8 февр. 2011 г. - Всего страниц: 288 Twelve lively, in-depth chapters reveal how following our untrained impulses — our creative unconscious or "Crazy Child" — gives an authentic grasp on writing stories, poems, plays, and essays. Let the Crazy Child Write! introduces exercises that explicitly tap this knowledge and also presents guidelines on how to give, and receive, constructive feedback. This is the first how-to-write text to give full credit to the creative unconscious since Becoming a Writer, the 1934 classic by Dorothea Brande. Matson goes further by developing writing techniques step by step: Image Detail, Slow Motion, Hook, Persona Writing, Point of View, Dialogue, Plot, Narrative Presence, Good Clichés, Character, Surrealism, and Resolution. |
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Стр. 2
... turn a scene over and over in your mind, getting to know it well, before you find the appropriate detail. Either way is fine. Whether you write slowly or rapidly is simply a signal of how your Crazy Child works. It's the part of you ...
... turn a scene over and over in your mind, getting to know it well, before you find the appropriate detail. Either way is fine. Whether you write slowly or rapidly is simply a signal of how your Crazy Child works. It's the part of you ...
Стр. 13
... turn of his heart; but there lies the secret of our confidence in him. EUDORA WELTY, Place in Fiction Small, odd, and dissonant details work the same way in all cre- ative writing — stories, poems, plays, and essays. Finding those that ...
... turn of his heart; but there lies the secret of our confidence in him. EUDORA WELTY, Place in Fiction Small, odd, and dissonant details work the same way in all cre- ative writing — stories, poems, plays, and essays. Finding those that ...
Стр. 16
... turn, and the rest of you respond. On pages xvii–xix I outlined several ways to start a workshop. Three is a good number of people for beginning a workshop, and five or six is ideal. But you can also do a workshop with just one other ...
... turn, and the rest of you respond. On pages xvii–xix I outlined several ways to start a workshop. Three is a good number of people for beginning a workshop, and five or six is ideal. But you can also do a workshop with just one other ...
Стр. 25
... turning a lipstick tube around her lips, a girl concealing a knife behind her wrist, a man fingering the top button of his pants. When they unfold in slow motion, the events can be utterly captivating. We see a slow motion event in much ...
... turning a lipstick tube around her lips, a girl concealing a knife behind her wrist, a man fingering the top button of his pants. When they unfold in slow motion, the events can be utterly captivating. We see a slow motion event in much ...
Стр. 46
... turning a lipstick tube around her lips, a girl con- cealing a knife behind her wrist, a man fingering the top button of his pants.” These phrases work as hooks. They are hooks because each one is part of a larger picture. Each one ...
... turning a lipstick tube around her lips, a girl con- cealing a knife behind her wrist, a man fingering the top button of his pants.” These phrases work as hooks. They are hooks because each one is part of a larger picture. Each one ...
Другие издания - Просмотреть все
Let the Crazy Child Write: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 1998 |
Let the Crazy Child Write!: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 2011 |
Часто встречающиеся слова и выражения
action attention Barbara Kingsolver becomes begin body camera-on-the-shoulder chapter character's choose clichés Copyright Crazy Child Write creative unconscious dark door dream Editor and Writer ERICA JONG essay EUDORA WELTY event Excerpt excitement eyes feedback feel Georgia O'Keeffe give goal happen hear hook image detail imagine issue keep Let the Crazy let your Crazy listen look Marge Piercy Mary Oliver Michael McClure mind narrative presence narrator nervous system notice novel paragraph Perhaps person phrase pick piece play poem poet point of view powerful practice present remember Reprinted by permission resolution rewrite Robert Bly saber-toothed tiger Sam Shepard scene sense sentence slow motion writing someone speech story surreal syngenetic workshop T.S. Eliot talking tell Tennessee Williams thing third-person point thought three-legged dog undercurrent velociraptor vivid voice Weston WILLIAM DEMENT woman words