American Elegy: The Poetry of Mourning from the Puritans to WhitmanU of Minnesota Press - Всего страниц: 352 The most widely practiced and read form of verse in America, “elegies are poems about being left behind,” writes Max Cavitch. American Elegy is the history of a diverse people’s poetic experience of mourning and of mortality’s profound challenge to creative living. By telling this history in political, psychological, and aesthetic terms, American Elegy powerfully reconnects the study of early American poetry to the broadest currents of literary and cultural criticism. Cavitch begins by considering eighteenth-century elegists such as Franklin, Bradstreet, Mather, Wheatley, Freneau, and Annis Stockton, highlighting their defiance of boundaries—between public and private, male and female, rational and sentimental—and demonstrating how closely intertwined the work of mourning and the work of nationalism were in the revolutionary era. He then turns to elegy’s adaptations during the market-driven Jacksonian age, including more obliquely elegiac poems like those of William Cullen Bryant and the popular child elegies of Emerson, Lydia Sigourney, and others. Devoting unprecedented attention to the early African-American elegy, Cavitch discusses poems written by free blacks and slaves, as well as white abolitionists, seeing in them the development of an African-American genealogical imagination. In addition to a major new reading of Whitman’s great elegy for Lincoln, “When Lilacs Last in the Dooryard Bloom’d,” Cavitch takes up less familiar passages from Whitman as well as Melville’s and Lazarus’s poems following Lincoln’s death. American Elegy offers critical and often poignant insights into the place of mourning in American culture. Cavitch examines literary responses to historical events—such as the American Revolution, Native American removal, African-American slavery, and the Civil War—and illuminates the states of loss, hope, desire, and love in American studies today. Max Cavitch is assistant professor of English at the University of Pennsylvania. |
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... once , and then she hung fire on a rhyme for the dead person's name , which was Whistler . She warn't ever the same , after that ; she never complained , but she kind of pined away and did not live long ? These satires are so familiar ...
... once , and then she hung fire on a rhyme for the dead person's name , which was Whistler . She warn't ever the same , after that ; she never complained , but she kind of pined away and did not live long ? These satires are so familiar ...
Стр. 19
... once the condition of and inspiration for individua- tion ; like genre , the figure of death — especially as a bequest of literary tradition - represents both the consciousness of limitation ( there will be neither world nor time enough ) ...
... once the condition of and inspiration for individua- tion ; like genre , the figure of death — especially as a bequest of literary tradition - represents both the consciousness of limitation ( there will be neither world nor time enough ) ...
Стр. 24
... once again , to the Crocean fetishization of un- ambiguous singularity ( " the promise of relationship between irreduc- ible particularities ” ) . This utopian promise could , in its actual social or discursive fulfillment , only be ...
... once again , to the Crocean fetishization of un- ambiguous singularity ( " the promise of relationship between irreduc- ible particularities ” ) . This utopian promise could , in its actual social or discursive fulfillment , only be ...
Стр. 25
... once historico - political and ethico - literary . It remains , as it was initially conceived to be , a project toward the recovery and reinterpretation of a vital and critically underserved corpus of early American poetry . It enhances ...
... once historico - political and ethico - literary . It remains , as it was initially conceived to be , a project toward the recovery and reinterpretation of a vital and critically underserved corpus of early American poetry . It enhances ...
Стр. 30
... once far more present to the living , in closer parlance with the world , through manuscript circulation and periodi- cal reprinting . In her preface , Brock pushes the point well beyond the limits of analogy : The design of this work ...
... once far more present to the living , in closer parlance with the world , through manuscript circulation and periodi- cal reprinting . In her preface , Brock pushes the point well beyond the limits of analogy : The design of this work ...
Содержание
1 | |
1 Legacy and Revision in EighteenthCentury AngloAmerican Elegy | 33 |
2 Elegy and the Subject of National Mourning | 80 |
Custodianship and Opposition in Antebellum Elegy | 108 |
Waldo Emerson and the Price of Generation | 143 |
African Americans and Elegy from Wheatley to Lincoln | 180 |
Whitman and the Future of Elegy | 233 |
Objects | 286 |
Notes | 295 |
Index | 335 |
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American Elegy: The Poetry of Mourning from the Puritans to Whitman Max Cavitch Недоступно для просмотра - 2007 |
American Elegy: The Poetry of Mourning from the Puritans to Whitman Max Cavitch Недоступно для просмотра - 2007 |
Часто встречающиеся слова и выражения
African ambivalence American elegy American Poetry antebellum Boston broadside Brown Bryant calls Cambridge century child contemporary continuity conventional Cotton Mather cultural dead death dream early eighteenth-century elegiac elegists elegy's Essays example experience expression father feeling figure Franklin Freneau funeral genre genre's George George Moses Horton grief helped Ibid idealization imagination Indian James John lament Leaves of Grass letter Library of America Lilacs Lincoln lines literary literature living loss memory Monimba mourners mourning nature pastoral Philip Freneau Phillis Wheatley poem poem's poet poet's poetic political Prose Puritan Ralph Waldo Emerson readers reading relation satire scene seems sense sentimental Sigourney slave slavery social song sorrow soul spiritual Stockton sublime suggests suicide Thanatopsis thee Thomas thou Threnody tion tradition Traubel University Press verse voice Waldo Emerson Walt Whitman Washington Wheatley's Whitefield William William Cullen Bryant writes wrote York
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Misery's Mathematics: Mourning, Compensation, and Reality in Antebellum ... Peter Balaam Недоступно для просмотра - 2009 |