American Elegy: The Poetry of Mourning from the Puritans to WhitmanU of Minnesota Press - Всего страниц: 352 The most widely practiced and read form of verse in America, “elegies are poems about being left behind,” writes Max Cavitch. American Elegy is the history of a diverse people’s poetic experience of mourning and of mortality’s profound challenge to creative living. By telling this history in political, psychological, and aesthetic terms, American Elegy powerfully reconnects the study of early American poetry to the broadest currents of literary and cultural criticism. Cavitch begins by considering eighteenth-century elegists such as Franklin, Bradstreet, Mather, Wheatley, Freneau, and Annis Stockton, highlighting their defiance of boundaries—between public and private, male and female, rational and sentimental—and demonstrating how closely intertwined the work of mourning and the work of nationalism were in the revolutionary era. He then turns to elegy’s adaptations during the market-driven Jacksonian age, including more obliquely elegiac poems like those of William Cullen Bryant and the popular child elegies of Emerson, Lydia Sigourney, and others. Devoting unprecedented attention to the early African-American elegy, Cavitch discusses poems written by free blacks and slaves, as well as white abolitionists, seeing in them the development of an African-American genealogical imagination. In addition to a major new reading of Whitman’s great elegy for Lincoln, “When Lilacs Last in the Dooryard Bloom’d,” Cavitch takes up less familiar passages from Whitman as well as Melville’s and Lazarus’s poems following Lincoln’s death. American Elegy offers critical and often poignant insights into the place of mourning in American culture. Cavitch examines literary responses to historical events—such as the American Revolution, Native American removal, African-American slavery, and the Civil War—and illuminates the states of loss, hope, desire, and love in American studies today. Max Cavitch is assistant professor of English at the University of Pennsylvania. |
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... this day elegy remains a capacious, flexible, widely practiced poetic genre. It figures prominently on the contemporary scene: in the work of formalist and experimental poets and in the accumulating Introduction: Leaving Poetry Behind.
... this day elegy remains a capacious, flexible, widely practiced poetic genre. It figures prominently on the contemporary scene: in the work of formalist and experimental poets and in the accumulating Introduction: Leaving Poetry Behind.
Стр. 5
... practices of self-control, and then, in the time of Twain's, to increasingly singular experiences of interiority, of personal identity as an ongoing and individuated process within a fin-de-siècle society of mass consumption and mass ...
... practices of self-control, and then, in the time of Twain's, to increasingly singular experiences of interiority, of personal identity as an ongoing and individuated process within a fin-de-siècle society of mass consumption and mass ...
Стр. 6
... practice, but rather, on the contrary, a figure “used Rhetorically to signifie the desperate miseries” that the sins of the Judeans—inured to evil and incapable of authentic spiritual mourning—had called down upon them. “These women ...
... practice, but rather, on the contrary, a figure “used Rhetorically to signifie the desperate miseries” that the sins of the Judeans—inured to evil and incapable of authentic spiritual mourning—had called down upon them. “These women ...
Стр. 13
... practiced by successive generations of Americans, including most of the authors whose prose writings are treated in those studies. Thus American Elegy is both the history of a particular genre and a study of the place of genre in ...
... practiced by successive generations of Americans, including most of the authors whose prose writings are treated in those studies. Thus American Elegy is both the history of a particular genre and a study of the place of genre in ...
Стр. 14
... practice, to trace aspects of the careers of particular elegists, to interpret the genre and its permutations in relation to the history of colonial and national so- ciality and institutions, to illuminate the mutually generative ...
... practice, to trace aspects of the careers of particular elegists, to interpret the genre and its permutations in relation to the history of colonial and national so- ciality and institutions, to illuminate the mutually generative ...
Содержание
1 | |
1 Legacy and Revision in EighteenthCentury AngloAmerican Elegy | 33 |
2 Elegy and the Subject of National Mourning | 80 |
Custodianship and Opposition in Antebellum Elegy | 108 |
Waldo Emerson and the Price of Generation | 143 |
African Americans and Elegy from Wheatley to Lincoln | 180 |
Whitman and the Future of Elegy | 233 |
Objects | 286 |
Notes | 295 |
Index | 335 |
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American Elegy: The Poetry of Mourning from the Puritans to Whitman Max Cavitch Недоступно для просмотра - 2007 |
American Elegy: The Poetry of Mourning from the Puritans to Whitman Max Cavitch Недоступно для просмотра - 2007 |
Часто встречающиеся слова и выражения
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Misery's Mathematics: Mourning, Compensation, and Reality in Antebellum ... Peter Balaam Недоступно для просмотра - 2009 |