 By keeping aloof from what is called " the practical view of things ; " by resolutely following the law of its own nature, which is to be a free play of the mind on all subjects which it touches.  Essays in Criticism - Стр. 18авторы: Matthew Arnold - 1895 - Страниц: 379Полный просмотр - Подробнее о книге
 | Matthew Arnold - 1897 - Страниц: 456
...disinterestedness? „_£ 25 keeping aloof from what is called " the practical view 10 • — i \ of things."; by resolutely following the law of its...itself to any of those ulterior, political, practical 30 considerations about ideas, which plenty of people will be sure to attach to them, which perhaps... | |
 | Matthew Arnold - 1897 - Страниц: 460
...disinterestedness. And how is criticism to show disinterestedness ? ^By •-fS keerjing_aloof Jrorn^ what is called " the practical view of things "; by...play of the mind on all subjects which it touches. _By steadily refusing to Jend itself to any of those ulterior, political, practical any rate are certain... | |
 | Matthew Arnold - 1897 - Страниц: 464
...keeping aloot tromwhat is"caTTed " the practical view of things "; by resolutely following the law ofjts own nature, which is to be a free play of the mind on all subjects which it touches._ By steadily refusing tc^ lend itself to any of those ulterior, political, practical 30 considerations... | |
 | Matthew Arnold - 1898 - Страниц: 458
...summed up in one word, — disinterestedness. And how is criticism to show disinterestedness?" By 25 keeping aloof from what is called " the practical...itself to any of those ulterior, political, practical any rate are certain' to be attached to them quite sufficiently, but whicn criticism has really nothing... | |
 | Hugh Walker - 1910 - Страниц: 1082
...be summed up in one word — disinterestedness, and further explains that disinterestedness is shown by " keeping aloof from what is called 'the practical view of things.' " The criticism of literature, he means, must not be deflected from its course by considerations of... | |
 | Hugh Walker, Janie Roxburgh Walker - 1913 - Страниц: 1116
...be summed up in one word — disinterestedness, and further explains that disinterestedness is shown by " keeping aloof from what is called 'the practical view of things.' " The criticism of literature, he means, must not be deflected from its course by considerations of... | |
 | Matthew Arnold - 1914 - Страниц: 502
...keeping aloof from practice ; : by resolutely following the law of 1ls'owh nature, 'wh'ichTis~ ,' 10 to be a free play of the mind on all subjects which...refusing to lend itself to any of those ulterior, pol1tical, practical considerations about ideas which plenty of people will be sure to attach to them,... | |
 | Julian Willis Abernethy - 1916 - Страниц: 604
...it must be truthful, endeavoring with sincerity to "see things as in themselves they are." It must be "a free play of the mind on all subjects which it touches," free from prejudice and all interested motives other than the desire for truth. The critic must not... | |
 | Barry Cerf - 1926 - Страниц: 324
...kind." Curiosity, criticism, the free play of the mind on all subjects, shows its disinterestedness "by keeping aloof from what is called the practical view of things ... by steadily refusing to lend itself to any of those ulterior, political, practical considerations about... | |
 | Francis Meehan - 1928 - Страниц: 764
...Paul Elmer More, Shelburnc Essays (Seventh Series), p. 222. cultural criticism he explained as being a "free play of the mind on all subjects which it touches," and to "approach truth on one side after another, not to strive or cry, nor to persist in pressing... | |
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