New Studies in Richard Wagner's The Ring of the Nibelung
Edwin Mellen Press, 1991 - Всего страниц: 189
This volume comprises papers presented at the 1988 Wagner conference in Seattle exploring this opera cycle as music, myth, theatre art, and literature, including comparisons with T. S. Eliot's The Wasteland and James Joyce's Finnegan's Wake.
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The Voice of Authority in Wagners Ring
Wagners Ring as Universal Poetry
The Ring and the Wake
Dialectical Materialism in the Ring
Wagners Ring A Doorway to Perception
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action Adolf Hitler Alberich appear aspects authority becomes beginning Brünnhilde called century characters chord complete composer concept Conjures continuous course created culture cycle death dialectical direct dominant drama early elements example fact figures final fire follows force four function German giants gods gold Götterdämmerung Hagen heard hero Hitler human idea important Joyce language later live major material meaning Mein Kampf Mime motive mythical myths narrative nature Nibelung Norse occurs opera original political possible present quoted race references relationship result Rheingold Rhine Rhinemaidens Richard Ring says scene sense separate Siegfried Siegfried's Siegmund song speech stage story structure suggests Teutonic theme theory thought tonal tonic turn ultimately universe Valhalla voice Wagner Wake Walküre Waste Land whole Wotan