An Eye on Race: Perspectives from Theater in Imperial SpainBucknell University Press, 2006 - Всего страниц: 228 Racism in the modern nation state is based on a Continental and an American model. In the Continental model, the racist differentiates the raced individual by religion. Because this raced individual is indistinguishable from the racist, a narrative is written to see that individual. In turn, in the American model the racist differentiates the raced individual based on skin color. Because the sign of difference is obvious, no story is written to justify racist thinking. By 1550, both models form part of imperial thinking in the Iberian world system. An Eye on Race: Perspectives from Theater in Imperial Spain describes these models at work in imperial Spanish theater. The study reveals how the display of blood in drama serves the Continental model and how the display of skin color serves the American model. It also elucidates how Miguel de Cervantes celebrates a subaltern aesthetic as he discards both racial paradigms. John Beusterien is Associate Professor of Spanish at Texas Tech University. |
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Стр. 157
... entremés , the Entremés segundo del negro [ Second Black Entremés ] , also reads as a gloss for negra hon- rilla . In this interlude the White's honor is connected not with his rejection of the negra as an object of repulsion and ...
... entremés , the Entremés segundo del negro [ Second Black Entremés ] , also reads as a gloss for negra hon- rilla . In this interlude the White's honor is connected not with his rejection of the negra as an object of repulsion and ...
Стр. 188
... entremés , Los negros de Santo Tomé , [ The Blacks from Saint Thomas ] in which the police chase some thieves who , in order to escape , put on black masks and pretend to speak in Black dialect . They finally begin a dance and sing ...
... entremés , Los negros de Santo Tomé , [ The Blacks from Saint Thomas ] in which the police chase some thieves who , in order to escape , put on black masks and pretend to speak in Black dialect . They finally begin a dance and sing ...
Стр. 202
... Entremés de la negra lectora . 1723. Arcadia de entremeses , escritos por los ingenios más clásicos de España . 164–75 . Madrid : Pasqual Rubio . Entremés segundo del negro . n.d. MS 1693. Biblioteca Nacional de España , Madrid . Faber ...
... Entremés de la negra lectora . 1723. Arcadia de entremeses , escritos por los ingenios más clásicos de España . 164–75 . Madrid : Pasqual Rubio . Entremés segundo del negro . n.d. MS 1693. Biblioteca Nacional de España , Madrid . Faber ...
Содержание
Acknowledgments | 9 |
The Whites Eye | 33 |
Seeing the Jew | 58 |
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An Eye on Race: Perspectives from Theater in Imperial Spain John Beusterien Ограниченный просмотр - 2006 |
Часто встречающиеся слова и выражения
aesthetics African Afro-Hispanics American anti-Semitism Antonio Enríquez Gómez argues Black character Black protagonist Black saint Black talk blackfacing blanco blood display blood libel bloodletting body Calderón century Cervantes chacona chapter Christ Christian circumcision colonial comedia connection context converso critical critique cultural dance denarrativized describes discourse drama early modern El prodigio entremés esclavo España especially female Francisco de Quevedo Gutierre Hispanic holy honor honra human difference Iberian ideology imperial Spain invisible Jewish Juan Latino judíos language Lope de Vega Lope de Vega's Lope's Madrid male maravillas Martínez López médico medieval Mencía's menstruation mojiganga Moor morisco narrative narrativized vision negra honrilla playwrights Quevedo Quiñones race racial racism raza religious retablo role Rosambuco sangre sangría scene scholars sense seventeenth seventeenth-century sexual skin color slave slavery social Spanish subaltern subaltern approach suggests theater thinking tion valiente negro Vega Vélez visual vized White White's eye woman writes