Let the Crazy Child Write!: Finding Your Creative Writing VoiceNew World Library, 8 февр. 2011 г. - Всего страниц: 288 Twelve lively, in-depth chapters reveal how following our untrained impulses — our creative unconscious or "Crazy Child" — gives an authentic grasp on writing stories, poems, plays, and essays. Let the Crazy Child Write! introduces exercises that explicitly tap this knowledge and also presents guidelines on how to give, and receive, constructive feedback. This is the first how-to-write text to give full credit to the creative unconscious since Becoming a Writer, the 1934 classic by Dorothea Brande. Matson goes further by developing writing techniques step by step: Image Detail, Slow Motion, Hook, Persona Writing, Point of View, Dialogue, Plot, Narrative Presence, Good Clichés, Character, Surrealism, and Resolution. |
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Стр. 27
... action on television. Kinetic detail does not have to be dramatic, large, or obvious. A bride might push the wedding band back and forth on her fin- ger. This stimulates the sense of touch, hers and the readers — naturally. The motion ...
... action on television. Kinetic detail does not have to be dramatic, large, or obvious. A bride might push the wedding band back and forth on her fin- ger. This stimulates the sense of touch, hers and the readers — naturally. The motion ...
Стр. 28
Finding Your Creative Writing Voice Clive Matson. Crichton handles dramatic events by slowing the action down. He also slows the action down variably — sometimes more and some- times less — according to the intensity of the moment. A ...
Finding Your Creative Writing Voice Clive Matson. Crichton handles dramatic events by slowing the action down. He also slows the action down variably — sometimes more and some- times less — according to the intensity of the moment. A ...
Стр. 29
... action . When she pokes the pin the wrong way , the game seems to be over . But the author gives her another chance . What satisfaction we feel when she finally gets the pin in the hole — and the door stays locked ! Slow Motion in Poems ...
... action . When she pokes the pin the wrong way , the game seems to be over . But the author gives her another chance . What satisfaction we feel when she finally gets the pin in the hole — and the door stays locked ! Slow Motion in Poems ...
Стр. 32
... action in " Three Easy Moves " must have etched itself in Murphy's musculature . Similarly , the emotions in " OH WHY " " are located in McClure's body . To write these pieces , the authors could simply have listened to the memories in ...
... action in " Three Easy Moves " must have etched itself in Murphy's musculature . Similarly , the emotions in " OH WHY " " are located in McClure's body . To write these pieces , the authors could simply have listened to the memories in ...
Стр. 33
... action live on stage . The play- wright does not have to rely on words on paper and the reader's imagination . The actor can relay an event to the audience using slow motion techniques describing an action snapshot by snap- shot . In ...
... action live on stage . The play- wright does not have to rely on words on paper and the reader's imagination . The actor can relay an event to the audience using slow motion techniques describing an action snapshot by snap- shot . In ...
Другие издания - Просмотреть все
Let the Crazy Child Write: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 1998 |
Let the Crazy Child Write!: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 2011 |
Часто встречающиеся слова и выражения
action attention Barbara Kingsolver becomes begin body camera-on-the-shoulder chapter character's choose clichés Copyright Crazy Child Write creative unconscious dark door dream Editor and Writer ERICA JONG essay EUDORA WELTY event Excerpt excitement eyes feedback feel Georgia O'Keeffe give goal happen hear hook image detail imagine issue keep Let the Crazy let your Crazy listen look Marge Piercy Mary Oliver Michael McClure mind narrative presence narrator nervous system notice novel paragraph Perhaps person phrase pick piece play poem poet point of view powerful practice present remember Reprinted by permission resolution rewrite Robert Bly saber-toothed tiger Sam Shepard scene sense sentence slow motion writing someone speech story surreal syngenetic workshop T.S. Eliot talking tell Tennessee Williams thing third-person point thought three-legged dog undercurrent velociraptor vivid voice Weston WILLIAM DEMENT woman words