Let the Crazy Child Write!: Finding Your Creative Writing VoiceNew World Library, 8 февр. 2011 г. - Всего страниц: 288 Twelve lively, in-depth chapters reveal how following our untrained impulses — our creative unconscious or "Crazy Child" — gives an authentic grasp on writing stories, poems, plays, and essays. Let the Crazy Child Write! introduces exercises that explicitly tap this knowledge and also presents guidelines on how to give, and receive, constructive feedback. This is the first how-to-write text to give full credit to the creative unconscious since Becoming a Writer, the 1934 classic by Dorothea Brande. Matson goes further by developing writing techniques step by step: Image Detail, Slow Motion, Hook, Persona Writing, Point of View, Dialogue, Plot, Narrative Presence, Good Clichés, Character, Surrealism, and Resolution. |
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Стр. 10
... character's speech can be expanded to include sensory details that are natural to that character's style . You have a lot of leeway ; audiences are hungry for detail . As you include image detail , the audience will find the scene ...
... character's speech can be expanded to include sensory details that are natural to that character's style . You have a lot of leeway ; audiences are hungry for detail . As you include image detail , the audience will find the scene ...
Стр. 33
... character portrays the action live on stage . The play- wright does not have to rely on words on paper and the reader's imagination . The actor can relay an event to the audience using slow motion techniques describing an action ...
... character portrays the action live on stage . The play- wright does not have to rely on words on paper and the reader's imagination . The actor can relay an event to the audience using slow motion techniques describing an action ...
Стр. 34
... character report them precisely . Slow Motion in Essays I wrote a brief essay on page 25-26 , when I introduced slow motion writing . It was easy to demonstrate slow motion by simply doing it , with the three - legged dog . I started ...
... character report them precisely . Slow Motion in Essays I wrote a brief essay on page 25-26 , when I introduced slow motion writing . It was easy to demonstrate slow motion by simply doing it , with the three - legged dog . I started ...
Стр. 40
... character could be shown with more detail. Or perhaps more could be added to the ending. These comments, suggesting that the author has left some- thing out, are usual in workshops. The listeners, however, should be accepting of ...
... character could be shown with more detail. Or perhaps more could be added to the ending. These comments, suggesting that the author has left some- thing out, are usual in workshops. The listeners, however, should be accepting of ...
Стр. 61
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Let the Crazy Child Write: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 1998 |
Let the Crazy Child Write!: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 2011 |
Часто встречающиеся слова и выражения
action attention Barbara Kingsolver becomes begin body camera-on-the-shoulder chapter character's choose clichés Copyright Crazy Child Write creative unconscious dark door dream Editor and Writer ERICA JONG essay EUDORA WELTY event Excerpt excitement eyes feedback feel Georgia O'Keeffe give goal happen hear hook image detail imagine issue keep Let the Crazy let your Crazy listen look Marge Piercy Mary Oliver Michael McClure mind narrative presence narrator nervous system notice novel paragraph Perhaps person phrase pick piece play poem poet point of view powerful practice present remember Reprinted by permission resolution rewrite Robert Bly saber-toothed tiger Sam Shepard scene sense sentence slow motion writing someone speech story surreal syngenetic workshop T.S. Eliot talking tell Tennessee Williams thing third-person point thought three-legged dog undercurrent velociraptor vivid voice Weston WILLIAM DEMENT woman words