Let the Crazy Child Write!: Finding Your Creative Writing VoiceNew World Library, 8 февр. 2011 г. - Всего страниц: 288 Twelve lively, in-depth chapters reveal how following our untrained impulses — our creative unconscious or "Crazy Child" — gives an authentic grasp on writing stories, poems, plays, and essays. Let the Crazy Child Write! introduces exercises that explicitly tap this knowledge and also presents guidelines on how to give, and receive, constructive feedback. This is the first how-to-write text to give full credit to the creative unconscious since Becoming a Writer, the 1934 classic by Dorothea Brande. Matson goes further by developing writing techniques step by step: Image Detail, Slow Motion, Hook, Persona Writing, Point of View, Dialogue, Plot, Narrative Presence, Good Clichés, Character, Surrealism, and Resolution. |
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Стр. 13
Finding Your Creative Writing Voice Clive Matson. to the Crazy Child and observing with our senses same time . occur at the The most vivid details are those most deeply felt by the cre- ative unconscious . This is the thesis of Let the ...
Finding Your Creative Writing Voice Clive Matson. to the Crazy Child and observing with our senses same time . occur at the The most vivid details are those most deeply felt by the cre- ative unconscious . This is the thesis of Let the ...
Стр. 14
... creative unconscious is engaged. And you'll have fun in the process. Interview An effective way to practice seeing and writing image details is to interview someone. A relative or a stranger will do, as well as a friend, or someone in ...
... creative unconscious is engaged. And you'll have fun in the process. Interview An effective way to practice seeing and writing image details is to interview someone. A relative or a stranger will do, as well as a friend, or someone in ...
Стр. 17
... creative unconscious is largely unknown, by definition, you may not have a clue how to hear someone else's writing. The group may be equally clueless about your writing. These are reasons why the rules should be respected. Groups also ...
... creative unconscious is largely unknown, by definition, you may not have a clue how to hear someone else's writing. The group may be equally clueless about your writing. These are reasons why the rules should be respected. Groups also ...
Стр. 19
... creative unconscious. This is no surprise, for we are trained from an early age to hide it. The Crazy Child does not help us in school or with our parents, and it does not go over well at work — quite the opposite. We also train ...
... creative unconscious. This is no surprise, for we are trained from an early age to hide it. The Crazy Child does not help us in school or with our parents, and it does not go over well at work — quite the opposite. We also train ...
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Finding Your Creative Writing Voice Clive Matson. This is a challenge because you will need to see yourself through a ... unconscious — truly vivid. and the more likely your writing will be Chapter 2 Slow Motion Find out ... what the ...
Finding Your Creative Writing Voice Clive Matson. This is a challenge because you will need to see yourself through a ... unconscious — truly vivid. and the more likely your writing will be Chapter 2 Slow Motion Find out ... what the ...
Другие издания - Просмотреть все
Let the Crazy Child Write: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 1998 |
Let the Crazy Child Write!: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 2011 |
Часто встречающиеся слова и выражения
action attention Barbara Kingsolver becomes begin body camera-on-the-shoulder chapter character's choose clichés Copyright Crazy Child Write creative unconscious dark door dream Editor and Writer ERICA JONG essay EUDORA WELTY event Excerpt excitement eyes feedback feel Georgia O'Keeffe give goal happen hear hook image detail imagine issue keep Let the Crazy let your Crazy listen look Marge Piercy Mary Oliver Michael McClure mind narrative presence narrator nervous system notice novel paragraph Perhaps person phrase pick piece play poem poet point of view powerful practice present remember Reprinted by permission resolution rewrite Robert Bly saber-toothed tiger Sam Shepard scene sense sentence slow motion writing someone speech story surreal syngenetic workshop T.S. Eliot talking tell Tennessee Williams thing third-person point thought three-legged dog undercurrent velociraptor vivid voice Weston WILLIAM DEMENT woman words