Let the Crazy Child Write!: Finding Your Creative Writing VoiceNew World Library, 8 февр. 2011 г. - Всего страниц: 288 Twelve lively, in-depth chapters reveal how following our untrained impulses — our creative unconscious or "Crazy Child" — gives an authentic grasp on writing stories, poems, plays, and essays. Let the Crazy Child Write! introduces exercises that explicitly tap this knowledge and also presents guidelines on how to give, and receive, constructive feedback. This is the first how-to-write text to give full credit to the creative unconscious since Becoming a Writer, the 1934 classic by Dorothea Brande. Matson goes further by developing writing techniques step by step: Image Detail, Slow Motion, Hook, Persona Writing, Point of View, Dialogue, Plot, Narrative Presence, Good Clichés, Character, Surrealism, and Resolution. |
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Стр. 45
... hook” is what grabs the reader's attention. We sit up and take notice when we read an effective hook. We might feel intrigue, tension, excitement, or even shock. The hook is what stimulates us to read further. The hook is anything that ...
... hook” is what grabs the reader's attention. We sit up and take notice when we read an effective hook. We might feel intrigue, tension, excitement, or even shock. The hook is what stimulates us to read further. The hook is anything that ...
Стр. 46
... hooks . They are hooks because each one is part of a larger picture . Each one suggests some other significant action ... hook is no different from the hooks I am discussing - - it is designed to snag attention . The creative unconscious ...
... hooks . They are hooks because each one is part of a larger picture . Each one suggests some other significant action ... hook is no different from the hooks I am discussing - - it is designed to snag attention . The creative unconscious ...
Стр. 47
... know about hooks. As a species, we have 35,000 years or so of practice with the hook. All you need to do is call up that instinct — the same one you practiced as a child. Plot and the Hook The hook is the first element Hook 47.
... know about hooks. As a species, we have 35,000 years or so of practice with the hook. All you need to do is call up that instinct — the same one you practiced as a child. Plot and the Hook The hook is the first element Hook 47.
Стр. 48
... hook produces the same result. The hook captures our interest and makes us start turning pages. The hook becomes the first scene of the plot — the first event in a chain of events, and the rest of the action will follow. As we think about ...
... hook produces the same result. The hook captures our interest and makes us start turning pages. The hook becomes the first scene of the plot — the first event in a chain of events, and the rest of the action will follow. As we think about ...
Стр. 49
... Kingsolver: I have been afraid of putting air in a tire ever since I saw a tractor tire blow up and throw Newt Hardbine's father over the top of the Standard Oil sign. I'm not lying. What in the world is next? Is the narrator about Hook 49.
... Kingsolver: I have been afraid of putting air in a tire ever since I saw a tractor tire blow up and throw Newt Hardbine's father over the top of the Standard Oil sign. I'm not lying. What in the world is next? Is the narrator about Hook 49.
Другие издания - Просмотреть все
Let the Crazy Child Write: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 1998 |
Let the Crazy Child Write!: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 2011 |
Часто встречающиеся слова и выражения
action attention Barbara Kingsolver becomes begin body camera-on-the-shoulder chapter character's choose clichés Copyright Crazy Child Write creative unconscious dark door dream Editor and Writer ERICA JONG essay EUDORA WELTY event Excerpt excitement eyes feedback feel Georgia O'Keeffe give goal happen hear hook image detail imagine issue keep Let the Crazy let your Crazy listen look Marge Piercy Mary Oliver Michael McClure mind narrative presence narrator nervous system notice novel paragraph Perhaps person phrase pick piece play poem poet point of view powerful practice present remember Reprinted by permission resolution rewrite Robert Bly saber-toothed tiger Sam Shepard scene sense sentence slow motion writing someone speech story surreal syngenetic workshop T.S. Eliot talking tell Tennessee Williams thing third-person point thought three-legged dog undercurrent velociraptor vivid voice Weston WILLIAM DEMENT woman words