Let the Crazy Child Write!: Finding Your Creative Writing VoiceNew World Library, 8 февр. 2011 г. - Всего страниц: 288 Twelve lively, in-depth chapters reveal how following our untrained impulses — our creative unconscious or "Crazy Child" — gives an authentic grasp on writing stories, poems, plays, and essays. Let the Crazy Child Write! introduces exercises that explicitly tap this knowledge and also presents guidelines on how to give, and receive, constructive feedback. This is the first how-to-write text to give full credit to the creative unconscious since Becoming a Writer, the 1934 classic by Dorothea Brande. Matson goes further by developing writing techniques step by step: Image Detail, Slow Motion, Hook, Persona Writing, Point of View, Dialogue, Plot, Narrative Presence, Good Clichés, Character, Surrealism, and Resolution. |
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Стр. 19
... important job as you listen to the workshop. Your job is to believe the praise. The workshop is being honest, and their positive feedback is probably accurate. As you work with Let the Crazy Child Write! trusting the workshop's positive ...
... important job as you listen to the workshop. Your job is to believe the praise. The workshop is being honest, and their positive feedback is probably accurate. As you work with Let the Crazy Child Write! trusting the workshop's positive ...
Стр. 20
... details are the most powerful. These details were probably chosen by the Crazy Child, and they are likely to feel strange to the author — which is why the listener's job is important. The 20 LET THE CRAZY CHILD WRITE !
... details are the most powerful. These details were probably chosen by the Crazy Child, and they are likely to feel strange to the author — which is why the listener's job is important. The 20 LET THE CRAZY CHILD WRITE !
Стр. 21
... important. The most powerful details could be impulsive, wacky, bizarre, finely textured, perfect, or ethereal. There is no formula for what the Crazy Child does well. Once you identify the vivid details, repeat them to the writer. It's ...
... important. The most powerful details could be impulsive, wacky, bizarre, finely textured, perfect, or ethereal. There is no formula for what the Crazy Child does well. Once you identify the vivid details, repeat them to the writer. It's ...
Стр. 39
... important things. You will begin to see almost everything that happens in those few seconds. Slow Motion and Journalism You could argue that slow motion writing is a kind of journalism. In fact, our working definition of new journalism ...
... important things. You will begin to see almost everything that happens in those few seconds. Slow Motion and Journalism You could argue that slow motion writing is a kind of journalism. In fact, our working definition of new journalism ...
Стр. 40
... important. Taking notes as you lis- ten can be very useful. Many listeners will ask for something more from the author. Perhaps there could be more dialogue or perhaps more details about the physical surroundings would make the scene ...
... important. Taking notes as you lis- ten can be very useful. Many listeners will ask for something more from the author. Perhaps there could be more dialogue or perhaps more details about the physical surroundings would make the scene ...
Другие издания - Просмотреть все
Let the Crazy Child Write: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 1998 |
Let the Crazy Child Write!: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 2011 |
Часто встречающиеся слова и выражения
action attention Barbara Kingsolver becomes begin body camera-on-the-shoulder chapter character's choose clichés Copyright Crazy Child Write creative unconscious dark door dream Editor and Writer ERICA JONG essay EUDORA WELTY event Excerpt excitement eyes feedback feel Georgia O'Keeffe give goal happen hear hook image detail imagine issue keep Let the Crazy let your Crazy listen look Marge Piercy Mary Oliver Michael McClure mind narrative presence narrator nervous system notice novel paragraph Perhaps person phrase pick piece play poem poet point of view powerful practice present remember Reprinted by permission resolution rewrite Robert Bly saber-toothed tiger Sam Shepard scene sense sentence slow motion writing someone speech story surreal syngenetic workshop T.S. Eliot talking tell Tennessee Williams thing third-person point thought three-legged dog undercurrent velociraptor vivid voice Weston WILLIAM DEMENT woman words