Let the Crazy Child Write!: Finding Your Creative Writing VoiceNew World Library, 8 февр. 2011 г. - Всего страниц: 288 Twelve lively, in-depth chapters reveal how following our untrained impulses — our creative unconscious or "Crazy Child" — gives an authentic grasp on writing stories, poems, plays, and essays. Let the Crazy Child Write! introduces exercises that explicitly tap this knowledge and also presents guidelines on how to give, and receive, constructive feedback. This is the first how-to-write text to give full credit to the creative unconscious since Becoming a Writer, the 1934 classic by Dorothea Brande. Matson goes further by developing writing techniques step by step: Image Detail, Slow Motion, Hook, Persona Writing, Point of View, Dialogue, Plot, Narrative Presence, Good Clichés, Character, Surrealism, and Resolution. |
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Стр. 14
... powerful writing, but those ideas are preconceptions that can restrict the Crazy Child and your creative flow. The fewer preconceptions you have, the more you may learn from Let the Crazy Child Write! In the next section I will describe ...
... powerful writing, but those ideas are preconceptions that can restrict the Crazy Child and your creative flow. The fewer preconceptions you have, the more you may learn from Let the Crazy Child Write! In the next section I will describe ...
Стр. 20
... image details are the most powerful. These details were probably chosen by the Crazy Child, and they are likely to feel strange to the author — which is why the listener's job is important. The 20 LET THE CRAZY CHILD WRITE !
... image details are the most powerful. These details were probably chosen by the Crazy Child, and they are likely to feel strange to the author — which is why the listener's job is important. The 20 LET THE CRAZY CHILD WRITE !
Стр. 21
... powerful details could be impulsive, wacky, bizarre, finely textured, perfect, or ethereal. There is no formula for what the Crazy Child does well. Once you identify the vivid details, repeat them to the writer. It's ideal if you repeat ...
... powerful details could be impulsive, wacky, bizarre, finely textured, perfect, or ethereal. There is no formula for what the Crazy Child does well. Once you identify the vivid details, repeat them to the writer. It's ideal if you repeat ...
Стр. 25
... powerful writing . And both are enticing playgrounds for the Crazy Child . Slow motion writing springs from the nervous system's ability to make images from words . When you describe an event , the ner- vous system sees it . If you ...
... powerful writing . And both are enticing playgrounds for the Crazy Child . Slow motion writing springs from the nervous system's ability to make images from words . When you describe an event , the ner- vous system sees it . If you ...
Стр. 43
... powerful. However you do your practice, remember to include kinetic details. The motion and momentum of objects will help your writ- ing mimic life, in vivid and unexpected ways. Kinetic details let the reader experience the event in ...
... powerful. However you do your practice, remember to include kinetic details. The motion and momentum of objects will help your writ- ing mimic life, in vivid and unexpected ways. Kinetic details let the reader experience the event in ...
Другие издания - Просмотреть все
Let the Crazy Child Write: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 1998 |
Let the Crazy Child Write!: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 2011 |
Часто встречающиеся слова и выражения
action attention Barbara Kingsolver becomes begin body camera-on-the-shoulder chapter character's choose clichés Copyright Crazy Child Write creative unconscious dark door dream Editor and Writer ERICA JONG essay EUDORA WELTY event Excerpt excitement eyes feedback feel Georgia O'Keeffe give goal happen hear hook image detail imagine issue keep Let the Crazy let your Crazy listen look Marge Piercy Mary Oliver Michael McClure mind narrative presence narrator nervous system notice novel paragraph Perhaps person phrase pick piece play poem poet point of view powerful practice present remember Reprinted by permission resolution rewrite Robert Bly saber-toothed tiger Sam Shepard scene sense sentence slow motion writing someone speech story surreal syngenetic workshop T.S. Eliot talking tell Tennessee Williams thing third-person point thought three-legged dog undercurrent velociraptor vivid voice Weston WILLIAM DEMENT woman words