Let the Crazy Child Write!: Finding Your Creative Writing VoiceNew World Library, 8 февр. 2011 г. - Всего страниц: 288 Twelve lively, in-depth chapters reveal how following our untrained impulses — our creative unconscious or "Crazy Child" — gives an authentic grasp on writing stories, poems, plays, and essays. Let the Crazy Child Write! introduces exercises that explicitly tap this knowledge and also presents guidelines on how to give, and receive, constructive feedback. This is the first how-to-write text to give full credit to the creative unconscious since Becoming a Writer, the 1934 classic by Dorothea Brande. Matson goes further by developing writing techniques step by step: Image Detail, Slow Motion, Hook, Persona Writing, Point of View, Dialogue, Plot, Narrative Presence, Good Clichés, Character, Surrealism, and Resolution. |
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Результаты 6 – 10 из 36
Стр. 9
... scene , brought us deeper into each piece , and made the poet's point more lucid . Image Detail in Plays Plays benefit from image detail in two important ways . As a play- wright , you can describe your scenes and your characters in a ...
... scene , brought us deeper into each piece , and made the poet's point more lucid . Image Detail in Plays Plays benefit from image detail in two important ways . As a play- wright , you can describe your scenes and your characters in a ...
Стр. 10
... scene enriched and the characters deepened . Image detail can make a story powerful , and your characters probably know this . In these speeches from Sam Shepard's play Buried Child , physical details add texture and impact : Vince ...
... scene enriched and the characters deepened . Image detail can make a story powerful , and your characters probably know this . In these speeches from Sam Shepard's play Buried Child , physical details add texture and impact : Vince ...
Стр. 11
... scene from a single detail . My intent is to present a scattershot of images , hoping one will hook you . I'm concerned specifically with words and their rela- tionship to our nervous system and to the Crazy Child . The beauty of this ...
... scene from a single detail . My intent is to present a scattershot of images , hoping one will hook you . I'm concerned specifically with words and their rela- tionship to our nervous system and to the Crazy Child . The beauty of this ...
Стр. 23
... scene . When you do your interview , however , you may choose something that smells good . New journalism is what Newman employs in the first four paragraphs . By paragraph five , he slips into old - style journalism and simply lists ...
... scene . When you do your interview , however , you may choose something that smells good . New journalism is what Newman employs in the first four paragraphs . By paragraph five , he slips into old - style journalism and simply lists ...
Стр. 35
... scenes and real life . Whatever excites or frightens us in life , will do the same when presented to our imagination . When we read slow motion writing we sense excitement . Your imagination sees the scene the author is displaying as ...
... scenes and real life . Whatever excites or frightens us in life , will do the same when presented to our imagination . When we read slow motion writing we sense excitement . Your imagination sees the scene the author is displaying as ...
Другие издания - Просмотреть все
Let the Crazy Child Write: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 1998 |
Let the Crazy Child Write!: Finding Your Creative Writing Voice Clive Matson Ограниченный просмотр - 2011 |
Часто встречающиеся слова и выражения
action attention Barbara Kingsolver becomes begin body camera-on-the-shoulder chapter character's choose clichés Copyright Crazy Child Write creative unconscious dark door dream Editor and Writer ERICA JONG essay EUDORA WELTY event Excerpt excitement eyes feedback feel Georgia O'Keeffe give goal happen hear hook image detail imagine issue keep Let the Crazy let your Crazy listen look Marge Piercy Mary Oliver Michael McClure mind narrative presence narrator nervous system notice novel paragraph Perhaps person phrase pick piece play poem poet point of view powerful practice present remember Reprinted by permission resolution rewrite Robert Bly saber-toothed tiger Sam Shepard scene sense sentence slow motion writing someone speech story surreal syngenetic workshop T.S. Eliot talking tell Tennessee Williams thing third-person point thought three-legged dog undercurrent velociraptor vivid voice Weston WILLIAM DEMENT woman words