| Gary Carl Hatfield - 1990 - Страниц: 394
...Optics to Painting," SW, 297329 (VR 2:93135). 122. Helmholtz, Tonempfindungen, translated by Ellis, On the Sensations of Tone as a Physiological Basis for the Theory of Music, 4th ed. (London, 1912), chs. 4,10, and pp. 22633 ; "The Physiological Causes of Harmony in Music,"... | |
| Amala Dāśaśarmā - 1990 - Страниц: 360
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| Galvano Della Volpe - 1991 - Страниц: 276
...together of two tones, is to be regarded as the true buildingblock of music'). 38. Hermann Helmholtz, On the Sensations of Tone as a Physiological Basis for the Theory of Music (5857), tr. WA Ellis, London and New York 5895, and Die Lehee von den Tonenempfmthn¿en, BrunswIck... | |
| Marilyn Nagy - 1991 - Страниц: 434
...work in the field. In 1863 came his Die Lehre von dem Tonempfindung (translated by A. J. Ellis as On the Sensations of Tone as a Physiological Basis for the Theory of Music [New York: Longmans, Green & Co., 1885). This book did for the physiology of hearing what the former... | |
| E. S. Shaffer - 1992 - Страниц: 352
...a second edition based on the fourth German edition of 1877, which appeared in English in i88¿: On the Sensations of Tone as a Physiological Basis for the Theory of Music (London: Longmans, Green, 1885). Ellis was both a mathematician and a philologist, a point of some... | |
| John Paynter - 1992 - Страниц: 616
...Developmental Psychology of Music, London: Cambridge University Press. HELMHOLTZ, H. VON (1954) On the Sensations of Tone as a Physiological Basis for the Theory of Music (1863), trans. AJ Ellis, New York: Dover. HOWELL, P., CROSS, I. and WEST, R. (eds) (1985) Musical Stucture... | |
| Frances Densmore - 2001 - Страниц: 676
...measure, the opening measures taking' the form of an introduction, a custom which was ‘ff&mholtz, ULF, The Sensations of Tone as a Physiological Basis for the Theory of Music (translated by AI Ellis), pp.260,261,26 ad., London, 1885. noted, more frequently among the Chippowa... | |
| Robert John Weber, David N. Perkins - 1992 - Страниц: 362
...Psychological Study of Scientific Creativity. Chicago: Univ. of Chicago. Helmholtz, H. ( 1875). On the Sensations of Tone as a Physiological Basis for the Theory of Music. AJ Ellis (trans.). London: Longmans, Green. Hindle, B. (1983). Emulation and Invention. New York: WW... | |
| Ian Cross, Irène Deliège - 1993 - Страниц: 372
...Doctoral Dissertation published as report STANM2, University of Stanford. Helmholtz, H. von (1954) On the sensations of tone as a physiological basis for the theory of music. IDie Lehre von den Tonempfindugen als physiologisclie Grundlage fuer die Theorie der Musik.l English... | |
| Peter Kivy - 1993 - Страниц: 388
...such works as Richard Wallaschek's Primitive Music (1893); in physiology and acoustics, Helmholtz's On the Sensations of Tone as a Physiological Basis for the Theory of Music (1863), and Carl Stumpf's Psychology of Tone (1883—1890). Today Darwin's theory of music remains... | |
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