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WorldCat.org

Foreword by Susan C. Cook  Emma Lou Diemer  Fantasy on OO Sacred HeadO (1967)  Elena Firsova  OWhat has caused my heart to feel songful,O from Three Poems by Osip Mandelstam  (excerpt) (1991)  Jennifer Fowler  Blow Flute: Answer Echoes in Antique Lands Dying (1983)  Sofia Gubaidulina  Garten von Freuden und Traurigkeiten (1981)  Barbara Heller  Tagebuch fur Violine und Klavier, Teil II: Die Linien (1986)  Andreiana Holszky  Hangebrucken I: Streichquartett an Schubert (excerpt) (1989/90)  Betsy Jolas  Plupart du temps II (1989)  Barbara Kolb  Millefoglie (excerpt) (1985, revised 1987)  Voyants (excerpt) (1990)  Joan La Barbar  Oto hear the wind roarO (1991)  Libby Larsen  How It Thrills Us (1900)  Hope Lee  Tangram (1992)  Nicola LeFanu  The Old Woman of Beare (excerpt) (1981)  Tania LeoOn  Momentum (1986)  Alexina Louie  ORitual on a Moonlit Plain,O from Music from NightOs Edge (1988)  Elisabeth Lutyens  Plenum I (1972)  Babbie Mason  Standing in the Gap for You (1993)  Joni Mitchell  OHejiraO (1976)  Meredith Monk  OAirport,O from the opera Atlas (1991)  Undine Smith Moore  Mother to Son (1955)  Alice Parker  OLethe,O from Songstream (1986)  Dolly Parton  Coat of Many Colors (1969)  Marta Ptaszynaka  OThorn Trees,O from Concerto for Marimba and Orchestra (1984-85)  Shulamit Ran  Symphony, Movement II (1990)  Jean Ritchie  The L and N DonOt Stop Here Anymore (1963)  Lucy Simon and Marsha Norman  OCome to My Garden,O from The Secret Garden (1993)  Natalie Sleeth  Hymn of Promise (1985)  Grace Wiley Smith  A Distant Dream (1995)  Joan Tower  Night Fields (1994-95)  Nancy Van de Vate  Chernobyl (1987)  Judith Wier  The Consolations of Scholarship (excerpts) (1985)  Gillian Whitehead  The Journey of Matuku Moana  Mary Lou Williams  OOur Father,O from Mary LouOs Mass (1969-71)  Judith Lang Zaimont  Parable: A Tale of Abram and Isaac (excerpt) (1986)

Presents musical scores by 30 composers from around the world. This collection encompasses concert and religious music as well as jazz, pop, experimental, and cross-over. It is suitable teaching music history, appreciation, and analysis. Each work is introduced by a short biography of the composer, including the formative influences on her life.

Contemporary anthology of music by women